ARTS INTERNATIONAL
Editor/Publisher, Bina Sharif
ARTS INTERNATIONAL covers THEATER, FILM, VISUAL ARTS, CUISINE, AND LITERATURE

Saturday, March 7, 2009

OTELLO BY SHAKESPEARE

THEATER REVIEW
BY
BINA SHARIF

"Othello" is produced by The Theater for The New Audience at Duke Theater on 42nd Street.
Before I go any further I have to admit that I have never seen,"Othello" played better by any actor in my recent memory than by John Douglas Thompson.

He burns with passion and tenderness and elegance the moment he appears on stage and the love for his craft and his sensitivity for his character never ever fades.

"Othello, a tense and heart wrenching tragedy by Shakespeare, when done right leaves you with a sadness and sorrow so real as if you just watched real loss of life right in-front of you and you just sat there paralyzed with emotions and somehow could not prevent it.

Othello is a play about many things, power, love, race, jealousy, rage, suspicion and language. Shakespeare's words are so clear and powerful here that one can hardly breath being afraid that one might miss something.

The production is staged with great simplicity and lack of clutter and the words fly freely without obstacles. Staging is an example of minimalism which for me is always necessary in the theater so the extra props and furniture can get out of the way of the language and what other language does one need than beautiful poetry and wisdom of Shakespeare.
The play's director, Arin Arbus got a great grasp of this brilliant tragedy by Shakespeare and understood that nothing must come in the way of its poetry. She lets her actors feel the language and through that we, the audience are riveted.
Othello, a handsome General, a Moore marries a beautiful lady, Desdemona who is fragile, silky, passionate,honest and sincere wife and a lover and to doubt such a person is a tragedy in itself but Othello who is totally consumed by his love for Desdemona is so flawed in one aspect
that he believes the lies told to him by his venom ridden Iago who is consumed with jealousy of Othello's power and him being slighted by lack of promotion and tries to weave a story of false hood and deceit between Desdemona and Cassio which ends in the murder of Desdemona By Othello and the death of Othello by his own hand when he realizes, (alas! far too late) that it was an ugly lie and Desdemona never gave that token of his love to Cassio...it was all planned by Evil and manipulative Iago.
This production mostly because the way it was done, briskly and clearly and cleanly comes across as a brilliant production.
I can not say enough in praise of John Douglas Thompson. He has the grace, the dignity, the power, the voice. His voice has a special melody in it which suits the classical language.
He has the sensitivity in his body and in his eye and in his vocal cords...which wife would cheat on him ?
Desdemona played by, Juliet Rylance, (the daughter of Mark Rylance, the great actor himself whom I have seen many times at the Globe theater in London) is just superb. She is poised to be a queen who can break with sorrow like fragile petals of a jasmine flower which when crushed by cruelty is no more but still leaves its scent behind for our senses to grieve.
Emilia, Desdemona's companion and handmaiden and Iago's wife doesn't understand her husband's poisonous game till its too late is capably played by Kate Forbes.

If I had any problem with anything in this superb production it was with the actor Ned Eisenberg in the role of Iago. Though he successfully plants doubt and suspicion in Othello's mind about his Innocent wife, Desdemona and is absolutely rude and cruel and disrespectful towards his own wife, Emilia, I could not get deep into his viciousness and malignant nature.
At times I felt while he was winking at us often that his choices were too easy and cute. Some how he was unable to get under my skin in an awe-striking, ominous kind of a presence.

But in everyother way I was totally thrilled and absorbed in the tragedy and beauty of this production. I would just love to see it again.

Tuesday, February 17, 2009

Monday, February 2, 2009

I'VE LOVED YOU SO LONG


MOVIE REVIEW

I 'VE LOVED YOU SO LONG

WHAT A MOVIE!
WHAT AN ACTRESS! CHRISTIN SCOTT THOMAS
WHAT A SCRIPT!
WHAT DIRECTION!

SUPERB
SAD
TENDER
FANTASTICALLY MOVING
TOUCHING
BEAUTIFUL
DESERVES MANY OSCARS

Friday, January 30, 2009

CHERRY ORCHARD BY ANTON CHEKHOV AT BAM


THEATER REVIEWBY
BINA SHARIF
CHERRY ORCHARD                             
BY CHEKHOV

DIRECTED BY SAM MENDES
AT BAM NEW YORK PRODUCED BY THE BRIDGE PROJECT.

Starring Simon Russell Beale (photo)

The Bridge project is a venture between America, England to do classics
featuring British, American and Irish actors here and abroad.
The new translation of Anton Chekhov's Cherry Orchard is by the brilliant and prolific
Tom Stoppard.
The Old Vic and Kevin Spacey are partners in this and future productions which will also
stage the play along with Winter's Tale to open in Feb.

The cast of Cherry Orchard includes brilliant actors such as Simon Russell Beale, Sinead Cusack and Ethan Hawke and Richard Easton.

Cherry Orchard, a dramatic comedy by one of the finest writers, Chekhov does not disappoint
in the fine and brilliant hands such as Sam Mendes, the director and Simon Russell Beale, one of the most charismatic actor with a booming and melodious voice.
This is at least the 10th time that I have been fortunate to see Simon Russel Beale and every time I am in awe of his talent and pleasantly haunted by his voice.
The last time I saw him on stage was at the National Theatre in London in Harold Pinter's
plays. Though Chekhov and Pinter are two different kinds of geniuses, Simon Russell Beale
shine bright in both. He has the technique and ability to make every part he plays as if it was exclusively written for him.
Simon Russell Beale who plays Lopakhin, a merchant who eventually buys the much loved
but un-manageable cherry orchard from Ranevskaya, a middle aged actress and a fading beauty
who spends most of her time in Paris and is crippled by the romance and the memory of her childhood attachement to the place but is un-able to be practical and sit and make a plan for the Orchard.
The characters portrayed here are as if their growth is stunted as nursery room spoiled children and the director Sam Mendes uses the props, Little chairs and little tables to a great affect. Ranevskaya, the grand dame played by Sinead Cusack fits the role perfectly well, she is petite enough to be a young girl and strong enough to never let go of her childhood memories of that very nursery and her grief of the loss of her young son who drowned in the lake.
For these very reasons she never want to part with her estate but Chekhov's play reveals how the times were changing at that very time for a change to build more and become more profitable at the expanse of demolition of a memory even if its haunting.
Lopakhin, the merchant played by Simon Russell Beale who is madly in love with Ranevskaya
is much more practical who has the means to buy the property, converts it into summer cottages for the tourists and still merry Ranevskaya, (Hope against hope) so she can have her
estate in a different form and still live in her native country. But this is not how it works in Chekhov's land.
Dreams stay as dreams, desires remain un-fullfilled, people are in love with the wrong person,
nostalgia of the past becomes the present, characters drown their sorrow and guilt in vodka and Masha of three sisters never get to Moscow.

The staging of the play is just fantastic. With very little props and furniture and no sign of a single cherry blossom, Sam Mendes direction moves forward smoothly. Set which consists of
gorgeous colorful carpets and a beautiful chandelier in the second act breaths with the confused
emotions of the characters and gives a haunting feelings of the glamour of the past.
Ethan Hawke as Trofimov, a student who is very much for the progress and change of the future also is very good but the show belongs to Simon Russell Beale. He is an enormous present on stage and has the strength, humor and vocal ability of a master crafts man.
Every moment he is on stage is to be cherished.
Cherry Orchard is enjoyable and elegant and lives with you as a lingering melodious nostalgia of a beautiful memory of the past.


ARTS INTERNATIONAL 
Editor/Publisher: Bina Sharif

ARTS INTERNATIONAL covers THEATER, FILM, VISUAL ARTS, CUISINE, AND LITERATURE