ARTS INTERNATIONAL
Editor/Publisher, Bina Sharif
ARTS INTERNATIONAL covers THEATER, FILM, VISUAL ARTS, CUISINE, AND LITERATURE

Monday, November 18, 2019

THE GREAT TAMER: A DANCE/PERFORMANCE PIECE AT BAM, PART OF NEW WAVE FESTIVAL





THE GREAT TAMER:  A DANCE/PERFORMANCE ART PIECE AT BAM.

THE GREAT TAMER
CONCEIVED and DIRECTED
by
DIMITRIS PAPAIOANNOU

To Describe The Great Tamer in one sentence or two or even in a paragraph would be extremely

difficult because its such a complex, multilayered performance encompassing life and death and all

that happens in-between.  It's about mythology, mortality, physicality, spirituality and the fragility

of life.

On a vast slanting steel grey stage made of removable black and white sheets, this complex art/dance/

performance piece unfolds.

A man dressed in black walks on stage and slowly starts to take his clothes off. Then he lies down as

if he is on the roof of his house to get some sun.

Another man again dressed in black comes on stage and covers him

with a very lightweight white sheet.  Then the third man comes and picks up one of those removable

panels and with great ability shake it a bit and then let it drop.  That makes the sheet covering the

naked man floats away.  This activity is repeated a few times and is brilliantly done and is

mesmerizing to watch.

Many more realistic, surrealistic and metaphorical sequences occur.  The brilliant cast of dancers,

acrobats, gymnasts and performance artists keep going tirelessly with such agility that one marvels at

the excellence and the amazing power of human body in all it's forms, in it's suffering, in it's joy and

the spirit of adventure and surprise.  Most of the time the men and women are nude without a hint

of self consciousness.

The do the most difficult movements in extremely vulnerable positions takes a lot of expertise.

They open the panels and dig underneath as if they are preparing for a burial.

They open another panel and discover water, in which they bathe. They even find body parts, an arm

sticking out, or part of a leg and now and then our concept of their location changes.

Are they in a an ancient grave yard?  Are they in a field where soon vegetation will appear in the

form of sticky darts representing a corn field?  or flora of brilliant yellow colors representing spring

time when everything blooms and love of life smiles on everything.

The Great Tamer is very philosophical and that makes sense.  After all it's being created by a

brilliant Greek who also has incredible sense of humor and child like attitude and a sense of

innocence. Sometimes one feels as if grown up children are playing games and having fun.

Sometime it seems like as if the creator and the performers are making fun of everything serious

in life which bogs us down,  depicting the delicate moments of un-predictable and unbalanced life.

At one point a performer tries to balance himself on a world glob soon to be crashed on the floor

with other performers.

Performers built and then destroy everything and pick up the pieces and put them in the garbage bags

and throw them away. Everything seems meaningless and immensely serious and ominous at the

same exact moment.

The performers, men and women don't seem human in their physical power and agility but

superhuman and then they lose balance and fall apart right in-front of our eyes.

The whole show is an unending enjoyable metaphor.    Things are visible as well as hidden.

Meanings are obvious and complex beyond our comprehension.

The whole show is accompanied by Johann Strauss's stunningly beautiful, "Blue Danube"  waltz

on the sound track.

There are impressions of classic European art.    Chorus of actors add white collars and instantly

become doctors dissecting a nude human body, thus the representation of Rembrandt's, " Anatomy

lesson."  Then they feast on human intestine which they have pulled out during the dissection.

The show doesn't have one straight story line but it's rich with many images which excites

our imagination and we create our own stories and how many shows can make you so creative,

so imaginative and so aware of the fragility of life which has the promise of destruction and renewal

at the same time.  The last moment in the show has total disintegration of a skeleton mounted

on another panel reminding us of the delicacy of life and we should just be happy and thankful

of breathing.  This show makes us aware of, "Breath." The last breath,  before we are no more.

Not to be gloomy but this awareness is essential.

REVIEWED
BY
BINA SHARIF
artsinternational.blogspot.com
binashariff@gmail.com
Cell: 212-260-6207
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